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The Creation of the World and the Expulsion from Paradise
1445 · Tempera and gold on wood · The Metropolitan Museum of Art, New York
Sizes
image 12.2×11 in on a 14×11 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
God the Father leans out of a storm of blue wings and sets one finger on the rim of the world. The Metropolitan Museum reads the globe as the universe, earth at the center, then the four elements, the planets and the zodiac, with God borne aloft by seraphim. At the right a diminutive Adam and Eve are driven from Paradise, whose four rivers issue from the ground at lower right. The angel who drives them is naked; the Met suggests his human form may symbolize compassion for fallen humankind. Giovanni di Paolo painted it for San Domenico, Siena. The one who sends them out shares their skin.
Sources: The Metropolitan Museum of Art, Giovanni di Paolo, The Creation of the World and the Expulsion from Paradise, 1975.1.31, read 2026-09-24 · The Metropolitan Museum of Art, Giovanni di Paolo, Paradise, 06.1046, read 2026-09-24
And he cast out Adam: and placed before the paradise of pleasure Cherubims, and a flaming sword, turning every way, to keep the way of the tree of life.
Genesis 3:24 · Douay-Rheims (Challoner)