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Paradise
1445 · Tempera and gold on canvas, transferred from wood · The Metropolitan Museum of Art, New York
Sizes
image 11×12.6 in on a 11×14 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
In Giovanni di Paolo's heaven nobody kneels. Two friars, one in white, one in black, embrace; a gold-winged angel holds a crowned woman in red; rabbits are in the grass. The Metropolitan Museum calls the meadow tapestry-like, with giant flowers and fruit trees, and notes that what appear to be apple trees have lost their color to the gold beneath. With the Creation and Expulsion, it formed part of the predella of an altarpiece for San Domenico, Siena. He had seen Fra Angelico in Florence; the Met says he chose graceful rhythm over Florentine perspective to intensify the vision. Where the apples were, gold shows through.
Sources: The Metropolitan Museum of Art, Giovanni di Paolo, Paradise, 06.1046, read 2026-09-24 · The Metropolitan Museum of Art, Giovanni di Paolo, The Creation of the World and the Expulsion from Paradise, 1975.1.31, read 2026-09-24