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The Miraculous Communion of Saint Catherine of Siena
after 1461 · Tempera and gold on wood · The Metropolitan Museum of Art, New York
For Saint Catherine of Siena · 29 April
Sizes
image 10.7×14 in on a 11×14 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
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All editionsAbout this painting
A thin column stands between Saint Catherine and the altar. The priest faces the chalice with one hand raised; behind her, Christ Himself brings His hand to her lips. The Metropolitan Museum says these panels were the first extensive narrative cycle of Catherine of Siena, commissioned after her canonization in 1461 and based on the biography by her confessor Raymond of Capua. Giovanni di Paolo, the Met notes, manipulates space to enhance the mystic character of his subject. The Met suggests the Pizzicaiuoli, the dry-goods guild, may have ordered the altarpiece in 1447. If so, grocers paid for the first pictures of a mystic.