
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
One finger, raised. The Baptist's office is to point at a person — Behold the Lamb of God — and here it finds an object. The Louvre catalogues the picture under that gesture: Saint John the Baptist in the desert designating the Cross of the Passion. The gesture skips the life and names the death.
Raphael conceived it; the execution is credited to Giulio Romano or Raffaellino del Colle.
Cardinal Adrien Gouffier's nephew Claude hung it at Oiron and had arms added in the top corners: two names above a man whose whole business is pointing away from himself.
Sources: Musée du Louvre, Département des Peintures, INV 606; « Hauteur : 1,35 m ; Hauteur avec accessoire : 1,81 m ; Largeur : 1,42 m ; Largeur avec accessoire : 1,86 m ». · Base Joconde, notice 000PE026973, Musée du Louvre, département des Peintures. · Institut national d'histoire de l'art, AGORHA, notice on Louvre INV 606. · John 1:29, Douay-Rheims (Challoner) · Centre des monuments nationaux, Château d'Oiron, « Histoire du château d'Oiron »
And the same John had his garment of camel's hair, and a leathern girdle about his loins: and his meat was locusts and wild honey.
Matthew 3:4 · Douay-Rheims (Challoner), from the project’s own corpus at data/bible_drc.js
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