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Madonna of the Goldfinch by Raphael, c. 1505–1506, Gallerie degli Uffizi, Florence
Madonna and Child

Madonna of the Goldfinch

c. 1505–1506 · Oil on wood · Gallerie degli Uffizi / Uffizi Galleries, Firenze

Sizes

image 14.3×20 in on a 16×20 in sheet

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

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About this painting

A goldfinch sits in the young John the Baptist's hands, and the Christ Child reaches out to stroke it. The National Gallery in London records the legend that the red mark on the bird's face is Christ's own blood, splashed there when it drew a thorn from His head on the road to Calvary, and the Uffizi reads the bird as a sign of the Passion. His bare foot rests on His Mother's foot. Our Lady holds a book open in one hand, a finger between the pages, which Smarthistory reads as interrupted reading. Raphael painted it for the wedding of Lorenzo Nasi in 1506. In 1547 a landslide destroyed the Nasi house and broke the painting into seventeen pieces. The small bird is still whole in John's hands.

Sources: Goldfinch symbolizes the Passion; commission for Lorenzo Nasi's 1506 wedding; pyramidal composition from Leonardo/Michelangelo; museum tombstone facts · Legend of goldfinch plucking a thorn from Christ's crown (framed as legend, not fact); bare-foot touch as humanizing detail; book-in-lap as interrupted-reading/Annunciation motif · 1547 landslide destroyed the Nasi palazzo and shattered the panel into seventeen fragments (restorer's identity deliberately omitted per do_not_print hedge) · The National Gallery, London, collection glossary, 'Goldfinches'.

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The Record
Date c. 1505–1506
Collection Gallerie degli Uffizi, Florence
Subject Madonna and Child
Season Ordinary Time
Master 7,200 px
License PD/CC0
Attribution Gallerie degli Uffizi / Uffizi Galleries, Firenze · 1890 n. 1447

The original, as its museum records it

Artist Raffaello Sanzio (Urbino 1483 – Roma 1520)
Date Before February 1506
Medium Oil on wood
Dimensions 107 x 77.2 cm
Holding Gallerie degli Uffizi / Uffizi Galleries, Firenze · 1890 n. 1447

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Raffaello Sanzio - Madonna del Cardellino - Google Art Project.jpg
Master 7,200 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistRaphael (Italian, 1483–1520)
Datec. 1505–1506
MuseumGallerie degli Uffizi / Uffizi Galleries, Firenze
Accession1890 n. 1447
MediumOil on wood
Dimensions107 x 77.2 cm
Sheet sizes16×20 in, 18×24 in, 24×36 in
Provenance of the file
Held byGallerie degli Uffizi / Uffizi Galleries, Firenze · 1890 n. 1447 the museum’s record
Source fileWikimedia Commons · Raffaello Sanzio - Madonna del Cardellino - Google Art Project.jpg
LicencePublic domain
Master5,152 × 7,200 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

16×20 in sheet 16×20 in · image 14.3×20 in · archival margin · 360 dpi
18×24 in sheet 18×24 in · image 17.2×24 in · archival margin · 300 dpi
24×36 in sheet 24×36 in · image 24×33.5 in · archival margin · 215 dpi

Printed on demand. Public-domain masterwork, reproduced from a 7,200 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.