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The Canigiani Holy Family
c. 1507 · Pappelholz (Populus sp.) (poplar wood) · Alte Pinakothek, Munich
For the Holy Family
Sizes
image 8×10 in on a 8×10 in sheet
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
Saint Joseph leans on his staff with both hands and bends toward Elizabeth, and Vasari says he is marvelling that so old a woman should have a child. Below him she kneels, head wrapped in white, looking up at Our Lady, who sits barefoot with a book in her hand. Between them the two children play with a scroll: the Christ Child and the young Baptist, Florence's patron and, in a house like this, a Florentine boy. The Canigiani, Florentine bankers, commissioned it for a home altar. Angels crowd the two upper corners, and they nearly did not survive. Cathleen Hoeniger records that in the early 1750s, in the Elector Palatine's collection, someone scratched at them, failed, and painted the sky over; Hubertus von Sonnenburg took the repaint off in 1982. Raphael's heaven came back after two centuries under flat blue.
Sources: Web Gallery of Art, 'Raphael's Canigiani Holy Family' · Alte Pinakothek, Munich, Sammlung Online, 'Die Heilige Familie aus dem Hause Canigiani', Raffael, inv. 476 — object text. · Google Arts & Culture, 'The Holy Family' (Alte Pinakothek partner story) · Cathleen Hoeniger, 'Raphael's Religious Paintings and Their Early Restorations: Devotional Attention or Aesthetic Appreciation?', CeROArt, HS (2013) · Giorgio Vasari, Lives of the Most Eminent Painters, Sculptors and Architects, 'Life of Raphael' (1568), de Vere trans. · The Metropolitan Museum of Art, Piero di Cosimo, 'The Young Saint John the Baptist', object record
And he went down with them and came to Nazareth and was subject to them. And his mother kept all these words in her heart.
Luke 2:51 · Douay-Rheims (Challoner)