
Why cover a Franciscan chapel with the life of a French bishop? Assisi answers it directly: the two men were read as twins. Both had been soldiers, both had given their own clothes away to a beggar, both became travelling ambassadors of peace — so to set Martin beside Francis was to say that the Poor Man of Assisi shone just as brightly. Simone painted the cycle in five years for Cardinal Gentile Partino da Montefiore.
Sources: Sacro Convento / Basilica di San Francesco d'Assisi, Cappella di San Martino; read 2026-08-27.
Printed on demand. Public-domain masterwork, reproduced from a 3,176 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.