MONSTRANCE
The Madonna of the Rosary — Caravaggio
Sanctuary Edition

The Madonna of the Rosary

Caravaggio (Italian, 1571–1610)
Date c. 1603
Collection Kunsthistorisches Museum, Vienna
Subject Madonna and Child
Season Ordinary Time
Master 14,480 px
License PD/CC0
Attribution Kunsthistorisches Museum Wien · Gemäldegalerie, 147

The original, as its museum records it

Artist Michelangelo Merisi, gen. Caravaggio
Date around 1603
Medium Canvas
Dimensions 364.5 cm × 249.5 cm (Framed: 410 cm × 294 cm × 17 cm)
Holding Kunsthistorisches Museum Wien · Gemäldegalerie, 147

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Madonna of the Rosary-Caravaggio (1607).jpg
Master 14,480 px on the long edge
Rights PD/CC0 — the photograph as well as the painting

Sizes

18×24 in$140
sheet 18×24 in · image 16.2×24 in · archival margin · 603 dpi
24×36 in$190
sheet 24×36 in · image 24×35.5 in · archival margin · 408 dpi
32×48 in$340
sheet 32×48 in · image 32×47.3 in · archival margin · 306 dpi
40×60 in$480
sheet 40×60 in · image 40×59.1 in · archival margin · 245 dpi
View in the gallery

About this painting

In other rosary pictures the Virgin hands Dominic the beads. Here she hands him nothing: she gives an order, and he passes them down to the kneeling crowd. Dermot Morrin OP calls it the Dominican motto: contemplata aliis tradere, handing on the fruits of contemplation.

The poor reach up; only their hands show, not their faces. The kneeling donor holds up Dominic's cappa, and the museum has him inviting the viewer to shelter with Dominic too.

Antwerp painters, Rubens among them, bought it together for their Dominican church. In 1781 it was handed up to the Emperor Joseph II.

Sources: the Madonna directs Dominic to distribute the rosaries; Peter Martyr points to the Child as the origin of grace; the donor addresses the viewer · Web Gallery of Art, commentary on Madonna del Rosario (existing source, re-verified) · Dermot Morrin OP, 2019 · Adam Sammut, PhD thesis, University of York, 2020, ch. 4 · Kunsthistorisches Museum Wien, object record, Gemäldegalerie 147

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 14,480 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.