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The Madonna of Loreto (Madonna of the Pilgrims) by Caravaggio, c. 1604–06, Sant'Agostino in Campo Marzio, Rome
Madonna and Child

The Madonna of Loreto (Madonna of the Pilgrims)

c. 1604–06 · Basilica di Sant'Agostino in Campo Marzio, Roma

Sizes

image 14×24 in on a 18×24 in sheet

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

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About this painting

Our Lady stands barefoot in a doorway with the Christ Child on her hip, and two pilgrims kneel before her, the man with his soles turned to us. They are filthy. Giovanni Baglione noted them in 1642, with the woman's torn and dirty cap, and recorded that the common people raised an extreme clamour. He meant it as a complaint. Ferdinando Bologna reads the clamour as recognition: they had seen themselves. Loreto keeps the house the angels were said to have carried from Nazareth. Caravaggio paints no house and no angels, only a poor doorstep, and the Child, as Bellori saw Him, lifting a hand to bless them.

Sources: Giovanni Baglione, Le vite de' pittori, scultori et architetti (Rome, 1642), Life of Caravaggio, p. 137 · Ferdinando Bologna, ‘Merisi, Michelangelo, detto il Caravaggio’, Dizionario Biografico degli Italiani, vol. 73 (2009) · the Cavalletti chapel; a young mother on the doorpost of a poor house, two ragged pilgrims kneeling, and the offence to post-Tridentine decorum · Giovan Pietro Bellori, Le vite de' pittori, scultori et architetti moderni (Rome, 1672) · the Holy House at Loreto, said by ancient tradition to have been carried from Nazareth by angels

Pray with this every day  ›
The Record
Date c. 1604–06
Collection Sant'Agostino in Campo Marzio, Rome
Subject Madonna and Child
Season Ordinary Time
Master 12,127 px
License PD/CC0
Attribution Basilica di Sant'Agostino in Campo Marzio, Roma

The original, as its museum records it

Artist Michelangelo Merisi detto il Caravaggio
Date ai primi del ’600
Holding Basilica di Sant'Agostino in Campo Marzio, Roma
Accession none — this work has never left the church it was painted for, and a work in situ carries no inventory number

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Madonna di Loreto-Caravaggio (c.1604-6).jpg
Master 12,127 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistCaravaggio (Italian, 1571–1610)
Datec. 1604–06
MuseumBasilica di Sant'Agostino in Campo Marzio, Roma
Sheet sizes18×24 in, 24×36 in, 32×48 in, 40×60 in
Provenance of the file
Held byBasilica di Sant'Agostino in Campo Marzio, Roma the museum’s record
Source fileWikimedia Commons · Madonna di Loreto-Caravaggio (c.1604-6).jpg
LicencePublic domain
Master7,092 × 12,127 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

18×24 in sheet 18×24 in · image 14×24 in · archival margin · 505 dpi
24×36 in sheet 24×36 in · image 21.1×36 in · archival margin · 337 dpi
32×48 in sheet 32×48 in · image 28.1×48 in · archival margin · 253 dpi
40×60 in sheet 40×60 in · image 35.1×60 in · archival margin · 202 dpi

Printed on demand. Public-domain masterwork, reproduced from a 12,127 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.