
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
Dürer engraved Jerome twice, and the Petit Palais has both. In the earlier plate the saint is out in the wild beating his own chest with a stone. In this one, from 1514, he has come indoors, sat down and got to work — light pouring through bottle glass, the lion asleep on the floorboards like a dog, the skull on the sill, the whole room warm. It is one of the three Meisterstiche.
Sources: Petit Palais, musée des Beaux-arts de la Ville de Paris, 'Saint Jérôme dans sa cellule (Bartsch 60)', GDUT3995, legs Dutuit 1902; read 2026-08-27. · Peter W. Parshall, 'Albrecht Dürer's St. Jerome in His Study: A Philological Reference', The Art Bulletin 53, no. 3 (1971): 303-305, DOI 10.1080/00043079.1971.10790503; verified via Crossref.
Printed on demand. Public-domain masterwork, reproduced from a 6,486 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.