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The Virgin and Child with Saint Anne
c. 1503–1519 · huile sur bois (peuplier) (oil on wood (poplar)) · Musée du Louvre, Paris
For Saints Joachim and Anne · 26 July
Sizes
image 18×23.2 in on a 18×24 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
The Child has an arm round a lamb's neck and a leg thrown over its back, and Our Lady, half rising from Saint Anne's lap, reaches to draw Him away. Anne only smiles down. In 1501 Fra Pietro da Novellara described this very group to Isabella d'Este: the Child taking hold of a lamb, a sacrificial animal signifying the Passion, and His Mother rising to separate them. Saint Anne is not in the New Testament; she comes from the Protevangelium of James, a later second-century text the Church never canonised. Leonardo kept the work, unfinished, until his death. The Child holds on to the lamb.
Sources: Musée du Louvre, INV 776 ; MR 319 · Fra Pietro da Novellara to Isabella d'Este, 3 April 1501 (Villata, no. 150, 134–35) · e-Clavis: Christian Apocrypha, North American Society for the Study of Christian Apocrypha · Charles Nicholl, Leonardo: Flights of the Mind