
Drag the print to move it. The painting is shown at true scale; where its shape differs from the sheet the print has a paper border, not drawn here. Prints are sold unframed, and a frame here is only for planning.
The Crucifixion
1457–59 · tempera sur bois (peuplier) (tempera on wood (poplar)) · Musée du Louvre, Paris
For Good Friday
Sizes
image 20×14.3 in on a 20×16 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
Send as a gift
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240Have a gift certificate?
The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
Christmas: order by Monday 7 December for delivery in the United States before Christmas.
All editionsAbout this painting
Christ hangs between two other crucified men over a pavement of split stone. At the left, Our Lady sinks among the women and Saint John stands apart with his hands clasped; at the right, soldiers bend over a round shield, casting lots for the seamless coat they would not cut. The Visual Commentary on Scripture recalls Augustine's reading of their game as grace, decided by no merit but God's secret judgment. Gregorio Correr commissioned Andrea Mantegna's altarpiece for San Zeno, and the Louvre records this scene as the centre of its predella. It was carried to Paris in 1798; two more predella scenes went to Tours in 1806; the main triptych, Finestre sull'Arte notes, went home to Verona in 1815. The coat was kept whole. The altarpiece is in three cities.
Sources: Arsartisticadventureofmankind (paraphrasing Lightbown/period reading) · Visual Commentary on Scripture, 'The Casting of Lots' · Cavallini to Veronese, entry on Andrea Mantegna · Musée du Louvre, Mantegna, 'La Crucifixion', INV 368 / MR 338. · John 19:23-24, Douay-Rheims (Challoner). · Finestre sull'Arte, 'Will France return to us three Mantegna panels stolen by Napoleon?'
Now there stood by the cross of Jesus, his mother and his mother's sister, Mary of Cleophas, and Mary Magdalen.
John 19:25 · Douay-Rheims (Challoner)