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The Crucifixion by Andrea Mantegna, 1457–59, Musée du Louvre, Paris
Crucifixion

The Crucifixion

1457–59 · tempera sur bois (peuplier) (tempera on wood (poplar)) · Musée du Louvre, Paris

For Good Friday

Sizes

image 20×14.3 in on a 20×16 in sheet

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

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About this painting

Christ hangs between two other crucified men over a pavement of split stone. At the left, Our Lady sinks among the women and Saint John stands apart with his hands clasped; at the right, soldiers bend over a round shield, casting lots for the seamless coat they would not cut. The Visual Commentary on Scripture recalls Augustine's reading of their game as grace, decided by no merit but God's secret judgment. Gregorio Correr commissioned Andrea Mantegna's altarpiece for San Zeno, and the Louvre records this scene as the centre of its predella. It was carried to Paris in 1798; two more predella scenes went to Tours in 1806; the main triptych, Finestre sull'Arte notes, went home to Verona in 1815. The coat was kept whole. The altarpiece is in three cities.

Sources: Arsartisticadventureofmankind (paraphrasing Lightbown/period reading) · Visual Commentary on Scripture, 'The Casting of Lots' · Cavallini to Veronese, entry on Andrea Mantegna · Musée du Louvre, Mantegna, 'La Crucifixion', INV 368 / MR 338. · John 19:23-24, Douay-Rheims (Challoner). · Finestre sull'Arte, 'Will France return to us three Mantegna panels stolen by Napoleon?'

Now there stood by the cross of Jesus, his mother and his mother's sister, Mary of Cleophas, and Mary Magdalen.

John 19:25 · Douay-Rheims (Challoner)

Pray with this every day  ›
The Record
Date 1457–59
Collection Musée du Louvre, Paris
Subject Crucifixion
Season Lent, Holy Week
Master 7,222 px
License PD/CC0
Attribution Musée du Louvre, Paris · INV 368; MR 338

The original, as its museum records it

Artist Mantegna, Andrea (Isola di Carturo (Padoue), 1431 - Mantoue, 1506) Italie École de
Date 3e quart du XVe siècle (après 1456 - 1459)
Medium tempera sur bois (peuplier) (tempera on wood (poplar))
Dimensions Hauteur : 0,76 m ; Largeur : 0,96 m
Holding Musée du Louvre, Paris · INV 368; MR 338

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Crucifixion - Andrea Mantegna - Louvre INV 368.jpg
Master 7,222 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistAndrea Mantegna (Italian, c. 1431–1506)
Date1457–59
MuseumMusée du Louvre, Paris
AccessionINV 368; MR 338
Mediumtempera sur bois (peuplier) (tempera on wood (poplar))
DimensionsHauteur : 0,76 m ; Largeur : 0,96 m
Sheet sizes16×20 in, 18×24 in, 24×36 in
Provenance of the file
Held byMusée du Louvre, Paris · INV 368; MR 338 the museum’s record
Source fileWikimedia Commons · Crucifixion - Andrea Mantegna - Louvre INV 368.jpg
LicencePublic domain
Master7,222 × 5,162 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

16×20 in sheet 20×16 in · image 20×14.3 in · archival margin · 361 dpi
18×24 in sheet 24×18 in · image 24×17.2 in · archival margin · 301 dpi
24×36 in sheet 36×24 in · image 33.6×24 in · archival margin · 215 dpi

Printed on demand. Public-domain masterwork, reproduced from a 7,222 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.